What is Viscom?
Monday, 28 March 2011
Propaganda Technique
Wednesday, 23 March 2011
Cold War Propaganda
Radicals and government on both sides of the East / West divide seized the medium of posters to broadcast their opposition to the cold war order.
The concept of the Iron Curtain symbolized the ideological fighting and physical boundary dividing Europe into two separate areas from the end of World War II in 1945 until the end of the Cold War in 1989. On either side of the Iron Curtain, states developed their own international economic and military alliances.
The Berlin Wall (German: Berliner Mauer) was a barrier constructed by the German Democratic Republic (GDR, East Germany) starting on 13 August 1961, that completely cut off West Berlin from surrounding East Germany and from East Berlin.
The Soviet-dominated Eastern Bloc officially claimed that the wall was erected to protect its population from fascist elements conspiring to prevent the "will of the people" in building a socialist state in East Germany.
The Berlin Wall was officially referred to as the "Anti-Fascist Protection Rampart" (German: Antifaschistischer Schutzwall) by GDR authorities, implying that neighbouring West Germany still harboured nazis.
Before the Wall's erection, 3.5 million East Germans circumvented Eastern Bloc emigration restrictions and defected from the GDR, many by crossing over the border from East Berlin into West Berlin, from where they could then travel to West Germany and other Western European countries. Between 1961 and 1989, the wall prevented almost all such emigration. During this period, around 5,000 people attempted to escape over the wall, with estimates of the resulting death toll varying between 100 and 200.
In 1989, a radical series of political changes occurred in the Eastern Bloc , associated with the liberalization of the Eastern Bloc's authoritarian systems and the erosion of political power in the pro-Soviet governments in nearby Poland and Hungary. After several weeks of civil unrest, the East German government announced on 9 November 1989 that all GDR citizens could visit West Germany and West Berlin. Crowds of East Germans crossed and climbed onto the wall, joined by West Germans on the other side in a celebratory atmosphere. Over the next few weeks, a euphoric public and souvenir hunters chipped away parts of the wall; the governments later used industrial equipment to remove most of the rest. The fall of the Berlin Wall paved the way for German reunification, which was formally concluded on 3 October 1990.
Tuesday, 15 March 2011
What is Viscom? Context and Brief
Friday, 11 March 2011
The French Revolution and Jacques Louis David
Tuesday, 8 March 2011
French Revolution and James Gillray
On July 14 of that same year, the Bastille was stormed: in October, Louis XVI and the Royal Family were removed from Versailles to Paris.
A Legislative Assembly sat from October 1791 until September 1792, when, in the face of the advance of the allied armies of Austria, Holland, Prussia, and Sardinia, it was replaced by the National Convention, which proclaimed the Republic.
In January of 1793 the revolutionary government declared war on Britain, a war for world dominion which would continue for another twenty-two years.
Napoleon Bonaparte became Emperor in May of 1804.
The French Revolution was welcomed not only by English radicals like Thomas Paine and William Godwin and William Blake, but by many liberals as well, and by some who saw it, with its declared emphasis on "Liberty, Equality, and Fraternity," as being analgous to the Glorious Revolution of 1688.
As it descended into the madness of the Reign of Terror, however, many who had initially greeted it with enthusiasm — Wordsworth and Coleridge, for example, who came to regard their early support as, in Coleridge's words, a "sqeaking baby trumpet of sedition" — had second thoughts.
Edmund Burke denounced the Revolution in 1790 in his great Reflections on the Revolution in France, Burke maintained that the radicals who had begun the Revolution were interested first in the conquest of their own country and then in the conquest of Europe and of the the rest of the world, which would be "liberated" whether it wished to be or not.
Tom Paine's great response to Burke's work,The Rights of Man, appeared in 1791, and the debate between conservatives and radicals raged on for many years.
The Great French war lasted between 1793 and 1815.Propadanda is a form of communication that aims to influence a community towards some cause or idea.
Garth Jowett and Victoria O'Donnell - "Propaganda is the deliberate, systematic attempt to shape perceptions, manipulate cognitions, and direct behavior to achieve a response that furthers the desired intent of the propagandist."
A propaganda organization employs propagandists who engage in propagandism—the applied creation and distribution of such forms of persuasion."
James Gillray was one of these propagandists in Britain working during the French Revolution.
He produced prints for the Anti-Jacobin (anti french revolutionary) Journal in around 1797.
Gillray would work for different publishers, under different names attacking both Whigs (drew support from wealthy merchants, aristocratic familys, country estates) and Tories (drew support from church of england, the royals.)
"Initially many Britons were sympathetic to the aims of the revolution, ... However as Terror raged and the guillotene began to rise and fall, so did much public opinion begin to turn. ... The blood of King Louis XVI, shown as a martyr by Gillray, flows in torrents ..." - The Art of Caricature, Richard Godfrey, Tate Publishing 2001
The execution of Louis XVI was shocking to most of Britain and Gillrays "The Blood of the Murdered Crying for Vengeance." was sympathetic to the french Aristocracy.
"The revolution was at its ugliest in Paris during 2-6 September, with bloody massacres of prisoners, including many preiests and political prisoners, as well as prostitutes and common criminals. At least 1400 people died in dreadful butchery. "
"The composition (talking 'A Family of Sans-Culottes...' pictured below) looks dashed off, improvised in a frenzy, but it is in fact a very skillful adaption of an egnraving after Pieter Brueghel, The Poor Kitchen."
The Poor Kitchen - After Brueghel
A family of Sans-Culottes enjoying a feast after the fatigues of the day - Gillray 1792
"As events were nearing their bloody apogee - the Revolution was at its ugliest from 2 to 6 September - reports from Paris containing (often inflated) accounts of the massacres were translated by Gillray into prints such as this." The National Portrait Gallery, Website
French Liberty, British Slavery - Gillray
In the above print, published by H. Humphrey (I assume for the the anti-jacobite rag) we can see a free frenchman happily sitting by a small fire in ragged clothes eating raw onions and snails. In contrast is the fat englishman, red with booze, complaining about taxes and eating huge amounts of beef. I wonder what Gillrays opinion on this actually was. I think the image is showing how much better off we were while having a dig at people who complain at the amount of taxes we were paying, I think on the surface it says "Look at the french, they think they are free but they live like shit. We should appreciate the country and government we live under." Also though he may be digging at the fat and wealthy upper classes for complaining about taxes, he was the son of a soldier and as a caricaturists regarded as a low artists. His print and etching abilities raised him in society slightly.
On the 21st september 1792 the French National Convention abolished the Monarchy.
On the 16/17th January 1793 a vote was taken by roll-call for the death of the King, the voting being 387 to 334 in favour. On the morning of 18th January 1793 Louis XVI was guillotined before a vast crowd, in the place de revolution (now place de la concorde). This lead to the Conventions declaration of war against Great Britain and Holland on 1st February.
Fear of a french invasion was a constant fear in Britain and Ireland until 1805.
Britain goes to war in the shape of George III transformed into a crude map, his feet Kent and Cornwall, his tassled nightcap Northumberland. He craps vigorously on the top coast of France, dispersing a number of tiny gun boats.
Charles James Fox was a British Whig Statesmen.
Fox had little interest in the actual exercise of power and spent almost the entirety of his political career in opposition, he became noted as an anti-slavoury campaigner, a supporter of the French Revolution, and a leading parliamentary advocate of religious tolerance and individual liberty.
William Pit The Younger was the British Primeminister at the time (although they didnt use the term then). Although often referred to as a Tory, or "new Tory", he called himself an "independent Whig" and was generally opposed to the development of a strict partisan political system.
End of the Irish Invasion - Gillray
Fox portrayed here as the dismayed figurehead of the french warship Le Revolutionaire, had repeatedley scorned fears of a French descent upon Ireland. However, on 23rd December 1797 in an expedition organised by the fanatical and Anglophobe General Lazare Hoche (A lower class born french soldier who rose to be a general in the Revolutionary army.) A french squadron with numerous millitary transports anchored in Batry Bay in Southern Ireland but was dispersed by foul weather.
The opposition identified with the revolution, are destroyed by violent storms, fortified by the gales of the wind emitting from Pitt and other politicians.
The Apotheosis of Hoche - Gillray
One of Gillrays most obviously propagandist pieces. Hoche had alot of hatred for Britain. He died in 1797 but it was rumoured he was poisoned. This etching mocks Hoches funeral which was a grand affair. It shows France burning beneath him while he rises amidst a choir of sans culottes to two demonic looking creatures holding 2 tablets with the opposite of the ten comandments written on them. He also plays a guillotine instead of a harp.
On the 1st of August 1798 the British fleet, commanded by Horatio Nelson, destroyed the French in Aboukir Bay in one of the most devastating of all naval victories. The Battle of the Nile instantly turned Nelson into a national hero of almost unprecedented status.
The Vexation of Little Boney - Gillray
The first appearance of Napoleon Bonaparte as a caricature. Small, but horribly energetic, vain, paranoid, easily distressed, a guttersnipe aping his betters, ridiculous, but fearsome nonetheless, Gillray's conception was immediately imitated by other caricaturists
Sources of Research:
http://www.victorianweb.org/history/hist7.html
James Gillray - The Art of Caricature, Richard Godgfrey, Tate Publishing 2001
Initial Ideas
My starting ideas for this project are expression of undescribeable feelings through painting and drawing. Entropic illustrations that are designed to be personal expressions that hopefully tap into other peoples sense of empathy. In other words its designed to make people feel something.
Examples of good and bad of this, do you need to take responsibility for the effect it has on other people? Is it this selfish and masturbatory? Is it good art if it doesnt do anything for the world apart from serve as an outlet for your frustration?
2.
Is the horror genre valuable today and in our society? Does it only serve people who havnt experienced real-life horror or is it the other way round, does it help to make real-life horrors easier to deal with by trivialising them in fantasy. As something that is designed to inspire fear, unease, discomfort etc is it possible to be a good thing?
3.
Art during revolution. Freedom of expression during Lenins Russia (1920 - 1925), then social realism during Stalins russia. (late 1920's.) Research the french revolution.
Illustrative characaturing of aristocrats.
Prevalent artists during french revolution:
James Gillroy
Jaques Louis David
Possibly try to create something inspiring rebellion against the tory government?